Elliot Galvin

“Composing can sometimes be a lonely pursuit, but Music Patron helps to break through this and make it feel like the process is something you can share, as much as the product.”

Elliot’s work spans and fuses multiple worlds including jazz, improvisation, contemporary classical and sound installation. 

His work explores the role of improvisation in blending different musical worlds and the use of eclectic juxtapositions of sound in a variety of environments and contexts.

What does being one of Elliot’s patrons look like?

Patrons get a comprehensive and authentic picture of Elliot’s creative process as he shares first-listens of new works, detailed analysis of his technique and experimentation, and reflections on his collaborations with fellow artists and musicians.

Supporting a composer on Music Patron gives you a first-hand perspective on the many elements within the creative process, and an understanding of an authentic journey of a composer. You can find out more about what it’s like to be a patron here.

Biography

As a composer he has been commissioned by ensembles and festivals including the London Sinfonietta, Ligeti Quartet, John’s Smith Square and the London Jazz Festival.

Elliot’s critically acclaimed trio The Elliot Galvin Trio have released 4 albums to date, being named one of the 2018 albums of the year in both Downbeat and Jazzwise Magazines along with working with Marius Neset, Mark Lockheart, Emma Jean Thackray and the Mercury Nominated band Dinosaur.

As an improvisor he has released albums with Mark Sanders, Binker Golding and his entirely improvised solo piano album recorded in concert at Fondation Louis Vuiton in Paris, which was named The Guardian’s album of the month, and BBC Music magazine’s album of the year.

Listen Ishtar – For 11 Piece Mixed Ensemble | Elliot Galvin

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Recent updates from Elliot

🔒 First listen to new single being released on Frida...

This Friday I’ll be releasing a new single, first listen exclusively for my patrons now.

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🔒 New Single out on Friday 25th October, early, firs...

New single, early listen.

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🔒 Working with Norma Winstone

I have recently been in rehearsals with Norma Winstone and her two sons Alex and Leo, playing the music of John Taylo...

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🔒 Bringing a project from the studio to the stage

I have recently been focusing on how to transition a very produced record to the live environment. It’s been a ...

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🔒 Bringing a project from the studio to the stage

I have recently been focusing on how to transition a very produced record to the live environment. It’s been a ...

This update is only available to Elliot's patrons. Already support Elliot? Login

🔒 Collaboration with Matthew Bourne (pianist / keybo...

I’ve recently started collaborating with Matthew Bourne the pianist and keyboardist and we have a concert comin...

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🔒 New project, new album

I will be releasing a new album at the end of this month in collaboration with the performance artist and film-maker ...

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🔒 Premier of new work inspired by György Ligeti at ...

Today I’m having a premier of a new piece commissioned by the Ligeti Quartet. It was an interesting commission as i...

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🔒 Recording a new album

I’m in the process of recording a new album. I’ve decided to try a different approach to making it and it’s pro...

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🔒 What I’m currently up to, and an insight int...

The realities of composing a part of a busy life.

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🔒 The Music Patron Q&A

A series of interviews with our Music Patron composers talking about their musical inspirations and what life as a co...

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🔒 Playlist of Inspirations

I thought I’d make a playlist of music that has shaped me as a composer and musician over...

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🔒 My composition process for a recent London Sinfoni...

I wanted to take you through the thought process and working method of how I write for commissions.

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🔒 Using live electronics in improvised concerts R...

Recently I have been experimenting with incorporating live electronics into my improvisations. I have gradually built up...

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🔒 unedited full interview with Shabaka Hutchings

I will be periodically putting up the full unedited versions of interviews from my podcast ‘Music And…’...

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🔒 Rehearsal for new project

  For a while myself and the performance artist George Final Ramsay have been trying to find a medium to

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🔒 Work in progress: The final performance of Mood In...

After the initial sketch ideas and the rehearsals, here is the the final performance of Mood Indigo and Footprints: To

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🔒 Work in progress: first rehearsal for a concert on...

After rehearsing the sketch arrangement of Wayne Shorter’s Footprints we arrived at this interpretation… The...

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🔒 Work in progress: Arrangements for a concert on 26...

I have a concert coming up at the Vortex in London on the 26th May and I thought I would

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🔒 Thank you for supporting me

Thanks a lot for supporting me through music patron. I’m going to be uploading lots of interesting behind the scen...

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🔒 The Score for Ishtar

Ishtar Full Score This is the full score for my piece Ishtar

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🔒 Audio Commentary on Ishtar

In this commentary I talk through what I was thinking about and trying to musically achieve when I was writing

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